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Q developer and ID-11 M. If two people are going out together, it may mean they're dating but that their relationship has advanced to a relatively long-standing and sexual boyfriend-girlfriend relationship although they're not cohabiting. Introduction of Ilford Soft Graduation Panchromatic Plates, 28ASA - would have been 56ASA in 1960 revision - reflected in the plates having an Ilford speed rating Group E.

Version in title only. There was also a chapter on flower photography by Kenneth Gaseltine, FIBP, FRPS. It responsible its expiry date in June 1962. Hence, strictly grammatically, these film names should be abbreviated to F. Dating ilford to ASA 64 same speed as the FP3 film above. Carl says it measures approximately 20inches 500mm by 8 inches 200mm. We want to make sure that your elements stay within our married dating site. The purple end of the spectrum is quite faithfully reproduced, so are the yellows, but the reds and oranges blur together. To view a larger image and other FP3 packaging, click on the image or. So, the answer to this si is married dating online with someone else. One little scrap in the article is the mention of the British Xylonite BX factory at Manningtree which, despite the magazine being about Essex, is actually in Brantham, which is dating ilford across the River Stour in Suffolk. The Ilford Sin Cine Pack was another summer time offer, being 4 Ilford 8mm daylight bced Colorcine films for the price of 3.

There are numerous ways to meet potential dates, including blind dates, classified ads, dating websites, hobbies, holidays, office romance, social networking, speed dating, and others. Although Kodak introduced the monochrome 16mm format in 1923, it would have been expensive and so may not have been widely used in the UK. Colour picture Courtesy of David Muggleton.

Over 50 & Looking For Love In Essex? - To see a close up of a similar box image, plus others provided by Simon Spaans, click on the images or.

The latest development was the acquisition in February 2005 of its black-and-white photographic business, premises and the ILFORD PHOTO name, from the receivers of the previous ILFORD Imaging group by HARMAN technology Limited, a company created by former managers of the company and named after the founder of the ILFORD business, Alfred Harman. The Mobberley site has been the home of a photographic company since around 1901, originally under the name of the Brooks-Watson Daylight Camera Company Ltd who had their main premises in Great Homer Street, Liverpool. They seemingly wished to move into the production of light sensitive materials and viewed the cleaner air of rural Cheshire as a better home for such an activity than Liverpool. In 1907, Brooks Watson formed a subsidiary company which they called Rajar 1907 Ltd and around that time the name on the front of the Mobberley factory building was changed from Brooks Watson to Rajar. Members of the have contributed various images and information regarding the early times of Rajar Ltd and the Mobberley site. The factory is believed to have been acquired by Ilford, Limited, in 1928. The original Rajar factory buildings, which retained the Rajar name long after Ilford acquired the premises, were mostly demolished in 2004 and the land sold to for the construction of around 90 houses, some of which were occupied by March 2007. Ilford retained its newer buildings at the rear of the site and they are still in use 2016. The imposing 1903 entrance building to the Rajar factory has been retained and now serves as a village community facility. Tony was the Technical Manager of QS and he ensured that all the data generated during testing was consistently accurate. His website is well worth a look - scroll down to see the old buildings. The original Rajar Ltd stone plaque can be seen. The preservation of this plaque was also part of the deal with Ilford. Barratts were appraised of the situation at a meeting when they bought the site and Ken Trotman, with Councillor Frank Williamson, ensured the stone was removed to a safe location. Barratts were then badgered to ensure the stone was re-placed. This Society, through Roger Gittins and Terry Mitchell, has been helpful in supplying various pieces of information and pictures to my Photomemorabilia website. These can be viewed. To move straight to my chronology listing,. Otherwise, read below some further introductory information on the formation of Ilford, Limited now ILFORD Photo and scroll down further to view some of the early trade-mark images etc. Introduction: Mr Alfred Hugh Harmann born 1841 lived and had a photographic studio at 2 Ewell Road in Surbiton, Surrey, from 1867-1879. Four of his children were born there, adding to the three born at Peckham where he first set up business as a photographer. While at Surbiton he suddenly left his wife and family, went off with another lady and started manufacturing photographic plates from a house in Ilford. Ref: AP magazine 29th Sept 1990, from reader Sam Welford, FRPS. Thus, the photographic company that was to become Ilford Ltd, started in 1879 in Ilford, Essex, north east London, UK. Alfred Harman set up a business in the basement of his house on the corner of Cranbrook Road and Park Avenue. The house was demolished in the 1930s to make way for a cinema which was never built; after the second world war the was built on the plot. In April 2013 the plot was occupied by a building called the and by October 2014 this same building was named 'The Cranbrook Banqueting Suite' a possible wedding reception venue. Alfred Harman's business expanded and in 1880 it moved to Roden St, trading as the Britannia Works Company, later called Ilford, Limited. The Technical Service Department building, managed by Jack H Coote see 1952, below , used to be situated in the space which is now Sainsbury's car park see the 1976 entry, below. Although the company's address was 29-37 Roden Street by the time it closed, this is misleading: Alfred Harman initially rented a cottage on the Clyde Estate, followed by the nearby Grove Terrace, which was converted into the plate coating department and warehouses. As the business expanded, the Britannia Works Company quickly acquired the parcel of land bounded on two sides by Clyde Cottages and Grove Terrace and built a factory. A wood engraving of the Britannia Works Company factory was used in an advertisement for Ilford Plates in 1888. It shows the factory bounded by a private road on the north-western side: this runs parallel to Back Street, called Roding Street on the OS map of 1896, and then Roden Street by 1919. By the 1970s, Ilford's administrative address was 29-37 Roden Street, Ilford IG1 2AB; Tel. The lower Left Hand corner of shows Roden St, and what is presumably the Sainsbury's Super Store. The Park Avenue intersection with Cranbrook Road can be seen towards the upper Left Hand corner of the same map. The Ilford Recorder newspaper, on Thursday Feruary 28th 2002, published a two page article looking briefly at the history and chronology of Ilford Ltd. John Alexander has kindly sent me a copy, and it can be seen. The British Journal of Photography did an historical account of Ilford Ltd at the time of Ilford's Centenary in 1979. The next year he was advertising in the BJ Almanac on his own behalf and his 1866 advert announced an extension of his premises, promising a week's turnround from receipt of negatives. Later he advertised as working the collodion transfer process, Autotype and oil paint coloured enlargements. He designed a developing tent which was made and advertised in the 1870 Almanac by J. Garland of Pentonville Hill, London. He was doubtless experimenting with emulsion making during the 1870's and in 1879 gave up printing and concentrated on making dry plates. Clean air being advisable, he set up the Britannia Works in Ilford, Essex. This comprised the cellar and ground floor of his house 'Elmhurst' where with two men and three boys he made dry plates, delivering them daily to London in a horse and trap. He expanded by buying other houses and in 1883 a special factory was built for plate manufacture. In 1885 he quarrelled with his agent, Marion's of Soho Square, and lost a law suit to prevent them using the name 'Britannia'. As a result he announced that after February 1886, 'Britannia' plates would henceforth be known as Ilford' plates. A box of one dozen 4 x 5in extra rapid cost 10p 2s. In 1891 the firm became a limited company and Harman slowly withdrew from activity in the business until in 1898 the company was disposed of for £380,000, Harman thereafter acting as an occasional consultant. He died in 1913, aged 72, leaving £266,000. This article, with iots many illustrations, can. Trade-Mark Images: In 1886 Alfred Harman introduced his 'paddle-steamer' trade mark. This continued in use slightly modified for almost 60years. My thanks to Doug McKee for noting detail differences in these images - also thanks to the authors of the book 'Silver by the Ton'. Richard W Holzman has traced the original formal application for registration of this paddle steamer trade mark as it appeared in the 'Trade Mark's Journal'. The application is dated 6th October 1897. This date conflicts with the date reported above 1886 , though its quite possible the paddle steamer drawing was in use on Alfred Harman's products for some years before he applied for his drawing to become his expanding company's formal trade mark. The application was reported in 'The Photographic Dealer' magazine for January 1898. To see the full page image from that magazine,. Alongside is the specific text, extracted and enhanced by Richard. Similar to that in the application, above. The name 'Ilford' appears in the 1886 version of Harman's trade mark, even though his company name was still then Britannia Works Company. The explanation appears on p19 of 'Silver by the Ton'. Two years later, Harman quarrelled with Marion and Co. In 1886, he tried to obtain an injunction to prevent their using the name 'Britannia'. Harman lost his case: Mr Justice Chitty ruled that, as Marion and Co. Harman reacted to the decision by changing the name of his plates from 'Britannia' to 'Ilford' and the name Britannia Works to the Britannia Works Company. He also introduced the paddle steamer trademark and reduced his prices. It seemingly pre-dates the requirement for Britannia Works to specify their new name as ILFORD, Limited. Ilford incorporated this slogan into their camera design. The box camera, in the mid-1950s, had its focusing marked: ' Push-In for Places ~ Pull-Out for Faces'. Selo Soldier from front cover of The Ilford Courier, June 1934. For more Selo Soldiers. Ilford introduced their 'sunburst' symbol in 1965, see itemised chronology, below , the first graphic company symbol since the 'paddle steamer'. Selo film dispenser South Kensington Science Museum perhaps now at the Bradford Media Museum? The 'Selo Soldier', images used by Ilford during the 1930s to promote 'Selo' brand films. The left hand one is on display at Bradford Media museum. An Ilford 'Selo Soldiers' film advert probably dating from around 1950. Alongside, and below, are scans of various Ilford print wallets envelopes , provided to customers from chemists shops after the shop or its agent had developed and printed the customer's roll film spool. The print wallet to the left appears to be the earliest shown here. It has come from Colin Frankland, and perhaps dates from the early 1930's. My thanks to Anthony Smout for sending me the scans of the Selo Films print envelope, above. Considering the range of Selo films advertised, its likely that the envelope dates from 1937 or thereabouts. It contained several negatives of RAF 'planes from the war years. The envelope measures 4. I remember him mixing chemicals in his basement studio, showing us how the enlarger worked, dodging and burning prints. He was quite a ‘renaissance’ man; he played the recorder, designed and built cabinetry, and built our summer cottage when he was 68 years old! Since they refer to F. Below are more images from Nita, possibly dating from the early 1950s. The customer for the snaps below must have worked at a local shoe shop, which was familiar enough for the person in the chemists shop taking the order, not to have to insert a name. The above print envelope wallet images have been sent by Robert of the website. The chemists stamp on the red panel opposite the village photograph, refers to E. Pear; MPS, Chemist, of 412, Broxstowe Lane, Aspley, Nottingham. In the 1950s he was working from 215 and 557 Valley Road, and 412 Broxtowe Lane in Nottingham. The three films illustrated are Selochrome ortho, HP3 and FP3, all in 120 roll film format. A print envelope on loan from Gavin Ritchie. Some negatives inside suggest it is from the late 1940s, post-WW2. After 6 years of war, the population probably didn't want to see any more Selo soldiers, so penguins were substituted as an amusing emblem. The above print envelope images are more provided by Nita Fenton. Since the inside cover mentions the very fast emulsion Ilford HPS, the envelope most likely dates to the mid or late 1950s. En-print or enprint is an abbreviation of enlarged print. These en-prints are markedly larger than the standard 'contact' print you normally have. So ask for en-prints - they're your best buy! I was probably no more than 14 years old when I came across it clearing out that roof space which had been untouched for decades. I've always been quite a strong athletic person, even as a child, so my dad always found good use for my energy and enthusiasm by giving me the tough dirty jobs nobody else wanted! It's now been in my possession for 20 years. The age of the sign is uncertain, but likely dates to the 1930s. Selo film was being marketed by Ilford from at least September 1930 see below and possibly earlier. By 1935 a range of Selo films was being marketed and its possibly significant that the sign refers to the plural 'Selo Films'. Recently March 2014 a lady named has sent me a picture of a near identical sign, in apparently perfect condition. A glass fronted shop cabinet advertising Selochrome Film, British Made by Ilford Limited, Ilford, England. An image sent to me by Chris Eccles who lives in Canada. The picture shown here was kindly sent by Kiki Werth. At that time it was available for purchase March 2010 , priced £25. It probably dates from the latter 1930s. A neon illuminated Selo film advertising sign. The image is by courtesy of Doug McKee. Doug says the side with the neon is actually yellow with red letters but the neon light colour temperature affects the result. I've tried to 'tweak' the colours in the result shown here left , in line with Doug's description. Nicholas believes his came from inside a local pharmacy. This sign clearly post-dates the illuminated neon sign above, left advertising Ilford SC Selochrome Roll Film, which perhaps dates to the 1940s. This later one might date to the 1960s. Both owners intend to keep their signs and Carl thinks he'll be mounting his on the outside of his darkroom! Carl also reports that the dimensions are 24x10x6 inches 610x255x152mm. Another Ilford sign owned by Carl Garner. This one is not illuminated and would seemingly have been hung inside a chemists shop, in the area where films were purchased or left for developing and printing. Carl says it measures approximately 20inches 500mm by 8 inches 200mm. It probably dates from the 1950s. Another illuminated Ilford advertising sign for a chemist shop of, probably, the 1950s. At that time, before High St photographic stores became commonplace, chemists shops were the natural 'home' of anything to do with chemicals, and this included all things photographic. A 'grab' shot taken by Eleanor Taylor, of an Ilford Films sign, with central clock, surrounded by other bric-a-brac. It maybe dates to the 1950s or 1960s. The reversed Coca-Cola sign to the lower left is a projection from an overhead light and nothing to do with the Ilford sign. Similarly, the blue frame, to lower right, is just another item leaning against the Ilford sign. This picture of a lorry operated by Ilford Limited was sent to me by John Smailes. The vehicle has the registration plate, F. In 2008, the was sold by Essex County Council, who had held the plate since it was first issued in 1904, when the County became a licensing authority. This conveniently fits with Ilford's ownership of F. According to the , F 697 was registered between 1904 and 1906. The lorry is steam driven; the two men would have been the driver and the fireman. In front of them is the boiler with what appears to be a steam pressure gauge in front of the smoke stack. Doug McKee has noticed this but not quite the same picture appears in the book 'Silver by the Ton' see below and my 1979 chronology entry , where it is said to be the earliest vehicle used by the Company - a Foden steam wagon. Film Name Derivations: There seems no acknowledged derivation of the word 'Selo', originally coined in 1920 and which Ilford retained in their 'popular' amateur film 'Selochrome' until c1968. Of course, 'Selo' means postal stamp in Portugese. Could this be of any significance? The picture alongside is of a postage stamp dispenser, outside the main Post Office in Lagos, Algarve, Portugal. The word 'Selo' features throughout much of Ilford's history, between the 1920's to 1968. Above, and below, are shown a number of images bearing the Selo name. The 'Selo' company, initially formed to serve a consortium of several UK photographic companies, was situated in Woodman Road, Warley, Brentwood, Essex. Although the name 'Selo' was officially dropped from this factory's name by Ilford in 1946, this Brentwood factory continued to be known as 'The Selo Factory' until it was sold and the site subsequently levelled in the early 1980s For some early photographs relating to this factory, see The same factory is pictured in 1973 can be seen at A 1930s Selo advert can be seen here A 1934 Selochrome film advert can be seen here Some early printing papers, including Selo Gaslight, can be seen here Another pack of Selo Gaslight printing paper, believed to date to around 1940, can be seen here An interesting 'Selo Girl' picture, probably from the 1930's, reminiscent of the famous Kodak Girl advertisement, can be seen here 'FP' was originally an abbreviation for Fine grain Panchromatic film and 'HP' for Hypersensitive Panchromatic film. Hence, strictly grammatically, these film names should be abbreviated to F. As this film carton is dated September 1942, it must be from some of the last batches of H. Interestingly, this 127 size roll film carton was original intended for Selo Ortho chromatic Film and has a sticker relabelling the carton as Hypersensitive Panchromatic film. In Amateur Photographer magazine for November 1946 there is an Ilford advertisement which refers to Ilford Selo H. By the 29th October 1947 edition, the word Selo has been dropped, but the film is still H. Then, in a January 1951 AP, the advertisement is for HP3 no full stops , i. To view some early ILFORD plate packaging, click. To view some HP3 film and plate packaging. To view some I LFORD Bromide and Gaslight printing paper packaging, click. The result was an apparent doubling of film speeds. It is extracted from 'PhotoGuide Magazine', Vol. The magazine enquired of Ilford Ltd, who gave a Technical Services Note reply, which can. In fact, AP may have had to wait longer than they anticipated, since the relevant BS 1380 didn't finally arrive until 1963. Flash exposures were advised to best still be based on the lower old film speed rating ref: Amateur Photographer 'Readers Ask', 11th Jan. Also, t he change did NOT apply to colour films, neither negative nor transparency reversal films, where no exposure safety margin had ever been incorporated into their speed rating. Colour film always give best results when exposed accurately to the true emulsion speed. Ilford Chronology: The original basis for the following 'Ilford chronology' was the Ilford Imaging before ILFORD Photo web site, but I have expanded that source considerably and am constantly adding to it through my own research and the contributions of the many people who e-mail me. Information relating to 'CIL' products emanating from Ciba Lumière see the entry for 1963, below come from Andy Holliman whose further contribution can be seen on the page. I'm also indebted to Martin Reed previously of SilverPrint, who provided me with some of the facts relating to the years 1975 thr' 1999 which I have incorporated into my own. Items marked Ref: D. M have been provided to me by Doug McKee. Some of the booklets and leaflets that are illustrated belong to David Muggleton; others belong to who has been generous in sharing his items, often backed-up by information based upon his professional experiences. My for direct printing of colour transparencies, comes from. There is always uncertainty about the accuracy of historical information so do if you can improve on the information contained below. The list of Ilford plates, flat film and roll film in the following table is abridged. A full list can be found in the book 'Silver by the Ton - A History of Ilford Limited 1879-1979' by RJ Hercock and GA Jones, two distinguished Ilford employees. The ISBN is 0-07-084525-5. In August 1979 it was priced at £9. His business was named 'Britannia Works'. Prices of dry plates reduced to penalise the Marion plate company after a dispute with them. Doug Mckee has copies from No. He also has a copy dated March 1899. The July 1893 issue No. Any dealer who does not get a sufficient supply, should drop us a postcard stating his wants. A web page devoted to 'Photographic Scraps' , where copies can be downloaded as pdf files, is available by clicking. Ilford Alpha Lantern Plates, box image see. Mr C H Bothamley was the principal writer of the the Manual and it was published by the Britannia Works Co. The Ilford Manual of Photography continued in production to a 5th edition in 1958 see below which was reprinted eight times to 1968. Ltd' on 17th December. First Board Meeting was held on 2nd December. Kodak began manufacturing in Harrow, Middlesex, UK around mid-1891, future competitors to the Britannia Works Co. Kodak's Managing Director was Mr. The issue for 1893 must have been the first issue will be ready on 1st November next i. To ensure prompt publication it is now in the printer's hands, and export orders will be executed on and after the 1st October next. Page 169 announces that 32,000 copies of '' had been sold by the time this 1895 Year Book had been published around November 1894. Introduction of SPECIAL RAPID 13ASA Plates, Introduction of PROCESS 0. Bromide Platinomatt Surface paper – ‘PMS’ paper introduced. See packet cover image alongside, courtesy of Michael Talbert. A vote re: 'Going Public' was put to shareholders and 'carried'. Ltd ceased to exist and the public 'Britannia Works Co. The reference to 1898 in the company title was soon dropped Companies House shows 10th August 1898; my thanks to Gavin Ritchie for this information. Alfred Harman then aged 50 retired from active control of the company at that time but continued to provide his expertise and experience for several more years. Still in production in 1908. See pdf of a. A Platona 'ILFORD Platinum Paper' tin, used by the Britannia Works Co. Ltd, Iford, London, for the supply of Platona paper around 1899. This tin measure some 170mm in length and 65mm diameter. The lid has an air tight seal ring which seals against the body of the tin when the lid is securely screwed on. The paper has to retain a trace of moisture in order for the development process to work, so presumably the air-tight lid prevented the paper from completely drying out. To see closer views of this tin, plus a smaller tin in better condition ,. The Ilford Urban District Council finally approved the name change from Britannia Works Co. The change of name to Ilford, Limited was finally registered on 24th December 1900; my thanks to Gavin Ritchie for this information. The comma continued in use, officially at least, until 1951 maybe there was a 50year agreement with the Council? M 1901 A box of Ilford Special Lantern Plates, photographed by Rab Egerton. Click , or on the image to see an enlarged view. This quarter plate magazine 'box' camera was advertised as able to be loaded in less than a minute with sufficient cut film to take 40 exposures before reloading. Ilford manufactured their own special film with a cardboard backing. A camera price of £5 is equivalent to around £500 in 2015 money, based upon a comparison from this site thanks to Gavin Ritchie 1903 Ilford 'MONARCH' Plate 3. It finally ceased publication in 1914. The death was registered in the district of Hambledon which spans the boundaries of the counties of Surrey and Sussex and appears in the General Register Office GRO Index as Page 211, Volume 2a. For a close view of the box left and of the processsing instructions on the back of a March 1926 pack C 26 , click on the image or. Ltd, Cricklewood, London, NW2. Scanned and sent by. To see the booklet as a PDF file, click the image or. A small part of the overall text is written on the inside of the front and back, red, covers and is difficult to read, but can be deciphered by zooming the PDF image to around 200%. Imperial was already under Ilford Limited influence by 1919, and was possibly already owned by Ilford Ltd. Thereafter, it may have been deemed by Ilford Ltd time to let this book lapse and incorporate its information into the. Ilford at this time imported its film base material, first from the Celluloid Corporation USA and later from Gevaert Belgium. Selo was initially formed by an amalgamated group consisting of Ilford, Imperial and Gem plus in 1928 a consortium of four other UK manufacturers that had originally in 1921 combined with three others under the name of APM Amalgamated Photograhic Manufacturers Ltd; London. In 1928, four of these seven i. Rotary Photographic Co Ltd; Rajar Ltd; Paget Prize Plate Co. Ltd, all being the ones who made sensitised materials, became APeM Ltd Amalgamated Photographic Equipment Manufacturers and subsequently became part of Ilford, Ltd though Rotary had already joined with Rajar in 1917. The remaining three i. They later became part of the J Arthur Rank Organisation. Selo films were sold by these companies under their own labels. The 'Selo' company was situated in Woodman Road, Warley, Brentwood, Essex. Although the name 'Selo' was officially dropped in 1946 see below the Brentwood factory continued to be known as 'The Selo Factory' until it was sold and the site subsequently levelled in the early 1980s. Sharon Ellis showing her Great Uncle, James Charles Emberson, as a member of a 'gang' of workers constructing or extending the Selo Factory in May 1921. Below that picture sent by Sharon, of Selo employees in the 1960s and, especially, Sydney Bourdon, the father of a friend of Sharon. What is the derivation of the name 'Selo'?? No one seems to know. Could it stand for 'Sensitised Celluloid' film? Or maybe it just refers to its purpose to 'Sensitise Roll Films'. The text on the box gives the formula and development times for the recommended ID-2 Metol-Hydroquinone M. Q developer and ID-11 M. Also, a formula for the recommended fixing bath. BUT, the illustrated pack is dated post-1930 and hence the information on the rear of an original 1923 pack of Iso-Zenith plates may well have been different to that shown here. In this respect, I'm indebted to Edwin Garcia for pointing out that Kodak's D-76 developer, identical to Ilford's ID-11, is believed to pre-date ID-11 and to have been devised by a gentleman named Capstaff in 1926. Unless, therefore, ID-11 actually predates D-76 by three years, the original 1923 Iso-Zenith pack couldn't have shown mention of ID-11. Both men were lost and it remains a mystery whether they reached the summit. The process proved difficult and was wound up in 1930. Introduction of Ilford Soft Graduation Panchromatic Plates, 28ASA - would have been 56ASA in 1960 revision - reflected in the plates having an Ilford speed rating Group E. To see a close up of a similar box image, plus others provided by Simon Spaans, click on the images or. Ilford Ultra-rapid Roll Film, 28ASA. The exact chronology and commercial details are somewhat obscure and the following should only be taken as a simplified guide to events. Ilford acquired the Mobberley site owned by since 1903 , in the take-over of the various companies within the Selo organisation formed in 1920. APM, a part of Selo from 1921, was split and a new organisation formed, called APeM Amalgamated Photographic Equipment Manufacturers. A history of the Paget Prize Plate Co. Ltd, taken from the book 'Silver by the Ton',. Ilford had already by 1920 some commercial involvement with other old-established UK photographic businesses, viz: ; and The Gem Dry Plate Co. Ltd, but possibly the merger with APeM lead to Ilford exercising more direct control over all these previously small independents. Click on the above links to see some original advertising logos used by these companies. Jessica Trethowan's grandfather, Henry Phillips, worked in the laboratory at Thomas Illingworth's premises in Cumberland Avenue, Park Royal, London NW10. To see a picture of Henry Phillips at Illingworth's around 1930 and then at the Ilford Mobberley ex-Rajar factory's laboratory in it's believed the 1950s,. To download, view and read this supplement,. Between 1918 and 1939 Ilford acquired directly or through subsidiaries some dozen businesses engaged in the manufacture of photographic goods of various descriptions. During the 1930s a number of distribution centres were set up in different parts of the country and factories or branches were established in five European countries and in India and Australia. During the next 30 years, Ilford's Mobberley site began to concentrate on the manufacture of photographic paper. The large rolls of paper were transported to the Essex factory for cutting, packing and distribution. Although dated 1930, the Almanac has information on goods and events from the previous year, so represents products from Ilford that were on sale in 1929 see footnote. Made available by David Muggleton. Interestingly, there is no mention of Selo products at this time. The marketing name Selo, for roll films, must have first appeared in 1930 see below. Once in use, the name Selo survived in the film name 'Selochrome' until around 1968. Click , or the adverts alongside, to see how Selo film was being advertised in September 1930. The 1930 AP advert shows that Ilford size No. Ilford Panchromatic Film 32ASA introduced. P printing out paper. It prints right out so that progress may be watched. The paper with the minimum trouble and the most artistic results. Tones ranging from beautiful browns to photographic purple, obtained at will with Hypo fixer only. No other chemical required. P paper was used in contacting printing frames to produce positive images merely by the action of light through the negative; it required no developer. When the image looked to have reached the desired density, it just required to be fixed to be made permanent. P was the fore-runner to 'gaslight' paper that later became known as 'contact' paper. These latter papers did require development as well as fixing but were much 'faster' than P. P so needed to be exposed to strong light for just a few seconds before development. P was very slow and required an exposure of several minutes to daylight - hence Ilford suggesting, in their September advert click for an enlarged image , that there was still time for Daylight Printing. Image from Charlie Kamerman. Lidy was Dutch and lived in the Hague, but she visited Ilford's Selo factory in early 1933 while on a trip to London. Lidy was an intelligent women with broad interests, including photography. I had rung up Mr Davidson, manager of Selo Ltd. An entry in the book 'Silver by the Ton' on page 119, describes Ilford's decision at that time 'to attack' the amateur market seriously. This led to Hypersensitive Panchromatic films. Ilford Clorona paper introduced in 1933? To see an enlarged version of the illustration, click on the thumbnail or. The Ilford Manual for 1935 gives two print developers, ID-23 and ID-24, suitable for producing warm-black to sepia to red tones on Clorona paper. The Ilford Manual also states that Clorona paper required a negative of “Fair contrast” when brown-sepia to red tones were desired. As the tone of the print changed from brown-black to sepia and finally to red, the visual contrast decreased, so a negative of fairly high contrast usually gave the best results. This is exactly what Michael found in the 1960s using Kodak's equivalent, Royal Bromesko paper. It is presumed to date to February 1934 from the B34 footnote on the back cover. It concludes by considering negative defects and describes reduction and intensification techniques, plus how to avoid dichroic fog, 'frilling', halation and coloured patches. Possibly it was this film which was improved and became Hypersensitive Panchromatic HP - see below. The Ilford Courier, No. The front cover shows the Selo soldier leading a Selo girl riding a beach donkey. Click the image or to download a pdf copy. The Courier was a 215mm by 135mm, 14 page, marketing booklet to convey Ilford company strategy to the trade. It was particularly concerned with encouraging good marketing by the trade in their direct contact with customers. See 1939, below, for another issue of the Courier, celebrating 60years of Ilford. The scan was sent to me by Marc Akemann, a US member of the. These HP and FP roll films were the fore-runners to the famous HP and FP roll and 35mm film series which culminated in HP5+ 1989 and FP4+ 1990. Ilford Ltd acquired an interest in Dufay-Chromex Ltd. Although processing was relatively simple and instructions were published , Ilford offered a service for roll films. See some taken about 1936 by John Daly's father, Melvin. Accessories for were available - see the 1938 leaflet sent to me by Brian Wilkinson. However, Dufay Ltd survived into the 1950s and Dufaycolor film was still being disposed through Amateur Photographer 'small ads' in the early 1960s; viz. To watch a 9minute Dufaycolor film featuring the Selo Film Laboratory, at Brentwood, Essex, click catalogue of the East Anglian Film Archive within the University of East Anglia ~ UEA Other films relationg to the Selo Factory, viewable at the East Aglian Film Archive, are: Catalogue , being a 19minute film made by well-known amateur cinephotographer George Sewell, featuring 16mm film processing developing and subsequent printing to a positive of Ilford’s Selo amateur film stock. Printing the 16mm negative film to a positive for projection was done using a Schustek printer, that is reported was also capable of reducing 35mm film size down to a 16mm positive. Catalogue , being an 8minute film showing aerial footage of the Selo factory and the nearby town of Brentwood and surrounding areas. This 32 page 180mm by 120mm booklet explains techniques for making lantern slides from existing negatives, by contact or reduction printing. The amateur photographer with scientific or artistic inclinations..... The rear page shows the booklet to be printed in England with a J35 footnote, indicating October 1935. A photograph of an attractive young lady whose dress is bedecked with many Selochrome film boxes. Sent by of Phoenix, Arizona, USA but the picture was actually found by a lady named Angel Burke from Prescott Arizona who procured it in an estate sale. It had been pasted in a scrap book at one time. Paul writes that he is not sure whether its an Ilford advertisement or more likely it was a models print as it has a pebble surface not suitable for print reproduction. I have dated the picture by possibly identifying the camera the lady is holding - a Kodak Junior 620 of 1935 vintage. Click , or on the thumbnail image, to see an enlarged version. Introduced in 1935, with a speed rating ref: Silver by the Ton of 50ASA using the post-1960 speed rating standard. The instruction leaflet with this film pack was printed in April 1934 D34 but is presumably an instruction leaflet appropriate to all contemporary Ilford Film Packs so may not have been printed for this specific film. I believe their use was in high contrast copying. The recommended developer was ID13, which was Ilford's developer for 'photomechanical work' resulting in 'screen' or 'line' negatives or positives. All the relevant formulae appear on the front of the box, beneath the title 'ILFORD PROCESS PLATES', and the box has the footnote D35, indicating its selling date was probably April 1935. An Ilford Limited souvenir book for the George V Silver Jubilee on 6th May 1935 is known to exist, presumably of similar format to that of the 12th May 1937 see below souvenir booklet produced by Ilford Ltd for the Coronation of George VI and Queen Elizabeth Queen mother to Elizabeth II. One YouTube video of the Jubilee event is viewable. By 1935, Ilford was marketing Selo 16mm 'safety' cine film positive, negative and reversal. Although Kodak introduced the monochrome 16mm format in 1923, it would have been expensive and so may not have been widely used in the UK. Mat's grandfather's film is a wonderful record of happy middle class family life in the mid to late 1930s and a credit to Mat's grandfather's skill with a cine camera. Confirmation of the use of Selo film can be found at the points 6m 58s into the film and again at 16m 41s. The 'End' title 'shot' shown at 6m 58s was probably a cardboard 'still' made available by Ilford for the convenience of their film users but also it made sure that films included an advert that would be viewed by the audience of their Selo product. Mat believes his grandfather was working in management for Ilford during the time the film sequences were shot. Around this same time in the UK a loaf of bread cost 1. With Ilford size No. In 2009 a pint of milk cost around 45p and a loaf of bread 65p, all around a 40x increase over the mid-1930s. But house prices are up over 300x. I've no information on this publication, so anyone who recognises it, I'd be interested to learn more. This particular edition contains a centre spread on the 'new' Dufaycolor film probably an announcement relating to Ilford's involvement in this technology which began in 1935, see above. At that time, Mr George H Sewell, ARPS a well known amateur cinephotographer and author was Sales Manager at Dufay. Despite this, there is an promoting Dufaycolor in the British Journal Photographic Almanac BJPA for 1937. It lists formulae for Ilford Developer ID 1, 2, 3, 4, 6, 9, 11 i. There is also much other chemical information on toning prints, hypo eliminator, emulsion hardening, rapid drying, desensitization, intensifiers and reducers, fixing baths, developer stain removing etc etc. Cezar Popescu has kindly provided me with a scanned version of this booklet, which he has made word searchable by using OCR software. Click the image to download it as a 5MB pdf file. A twin pack of Selo films for the. It was designed by Noel Pemberton-Billing see Readers Write, AP, 9Sep64. Negatives were the same size as 35mm, but were placed transversely on unperforated film of width 1. Each spool enabled the taking of 6 pictures on a film 9. Hence, the film did not have full length paper backing. This saved on spool thickness, a similar idea to introduced by Kodak around 1966. These roll films weren't popular as any attempt to process them revealed that the film had been rolled so tightly that their inherent curl made processing difficult, while their short length was difficult to handle. The Compass camera went out of production during the 2nd World War. It never really caught on as a Leica with an f3. To read a 1958 article from Modern camera Magazine MCM describing this new in 1958 roll film back,. In celebration of the 12th May 1937 Coronation of George VI and Queen Elizabeth, Ilford Limited produced a souvenir book of photographs taken by photographers working for Newspapers and Press Agencies. All original negatives were on Ilford Hypersensitive Panchromatic Plates and Ilford Double-X-Press Plates. Click or on the image to download a pdf of the book. Be patient as it is a 10MB file. Book made available by courtesy of David Muggleton. The 22nd edition of 'Panchromatism', price 6d 2. A letter from Ilford letter heading shown 1940, below was contained within the book when Roy purchased it. The letter was in response to questions about information in the book. The book has no date and so it has been assumed to date to 1937, as the 23rd edition see below is known to date to May 1938. The book contains the separate Ilford 'colour' test chart, illustrated alongside. The text below the colour test chart can be read here. This copy of 'Night Photography ~ Picture making at night - indoors and out', was owned by Charles Read, ARPS, who was a founder member of the and collected items of photographic nostalgia. Unfortunately Charles died in August 2008, whereupon some GYDPS members were given the task of sorting out his collection. It was through that connection that Paul was able to send me the scan of the cover of the booklet and also a pdf file of the book's contents. Click or on the thumbnail of the cover left to download the pdf. It extols the virtues of Selo Hypersensitive Panchromatic roll film and plates 35mm users had to wait until 1938 for the release of HP2. Paul points out the similarity between this booklet dated November 1937; K37 with the booklet 'Winter and Night Photography ~ Indoors and Out' which is shown below in the August 1938 'slot'. The difference seems to be that the 1938 booklet includes mention of HP2 film for the 35mm user. My thanks to Murray-Rust for sending me the following link, which shows a wall painted advertisement for Selo and Selochrome films. Its exact date is unknown, but is believed to date before WW2. GET YOUR SELO AND SELOCHROME FILMS HERE. THE FILMS FOR BEST RESULTS. Notice that the background colour appears to be the usual Ilford yellow ochre , used on their film packaging until the mid-1960s. For an example of this yellow, see the Selo film packaging in my 1930 'slot', above. We shall endeavour to make use of these suggestions as it is our desire to make this journal of the utmost use to all society and club members. Click the links to download and read issues No. The subsequent four issues can be accessed below, in the 1939 section. Issues Nos 1, 3 and 4 are available courtesy of Keith Walker. Ilford Anti-Halo Fine Grain Ordinary Flat Film. Ilford Ordinary Plates introduced. The film pack image shown here courtesy of Bernard Rose. Although plates bearing the name 'Ordinary' were first marketed in 1885, the name was revived for use in 1938. But this package must date from much later again - compare it with the earlier packaging of Fine Grain Flat Plates, shown above. Since it does not bear the paddle steamer trade mark, it likely dates from post-WW2. Ordinary Plates were still being sold in 1950. Click on on the cover image alongside, to view the complete leaflet as a PDF file. Further images of are courtesy of Simon Spaans and Bob Hindley. As with the 22nd edition see 1937 above it deals with the needs of getting a truly correct rendering of all colours in terms of their grey scale brightness, set against a colour scale see 1937 for a picture of that scale. Apart from any pictorial or scientific requirement, an accurate 'colour' bce of subjects recorded on black and white film was necessary for the production of colour 'separation' negatives as a step towards producing additive colour slides or subtractive process prints e. A 40 page booklet produced by Ilford Ltd and dated August 1938 H38 - illustrated courtesy of David Muggleton entitled 'Winter and Night Photography ~ Indoors and Out'. Ilford used this booklet to appeal to amateur photographers who might otherwise put their camera away from October to April, expecting the winter light to be too dull for picture-making. Ilford stressed that this reason was now made obsolete with the introduction of Selo Hypersensitive Panchromatic roll film and Hypersensitive Fine Grain Panchromatic H. The Selo films 'family' at the time consisted of Selo Ortho 26° , Selo Chrome 29° , Selo F. P 27° and Selo H. P 24° and Selo H. A cassette of 35mm 36 exposure Selo H. Thus, the film was rated at 125ASA equivalent to a 250ASA emulsion after the 1960 'universal' speed rating revision, see notes above the top of this chronology table. Issues Nos 1, 3 and 4 are available courtesy of Keith Walker. O, others named are Mr F. Renwick research dept ; Dr. Olaf Bloch photographic emulsions ; Dr. Kendall sensitizing dyes in the Rodenside laboratory - see the 1940 entry for his contribution to replacing the developing agent Metol with Phenidone ; Dr. The Ilford Courier, Vol. Click , or the image, to download a copy as a pdf file. As in Ilford News above the Chairman Major-General Sir Ivor Philipps authored a 3 page account of the company's technology progress since it started 60 years previously. An interesting article on the exposure latitude of Selo film, where the film was subjected to exposures of the same sunny outdoors subject over an exposure range of 3,000:1, and claiming all negatives gave acceptable prints. From ten times under-exposed to 300 times over-exposed. Such latuitude was claimed to be good for film sales as snapshot success was virtually guaranteed. Ilford launched it's 'PLASTIKA' photographic paper warm black image colour and wide exposure latitude - 9 paper surfaces and a range of films. Booklet produced in June 1939 detailing the production of Lantern Slides from negatives. Special Lantern plates in 3 degrees of contrast for slide making by contact or reduction methods. Warm Black Lantern plates yield beautiful warm black tones. Gaslight Lantern plates for use in subdued artificial light. Specially suitable for making slides from weak negatives. For similar, see 1935. Thanks to David Muggleton for the loan of this booklet. Another Ilford booklet, courtesy of David Muggleton. Dated H39, so August 1939, this booklet encourages the taking of pictures by artifical light, Photofloods and flash powder, so that photography can continue throughout the winter months. To view the complete booklet as a pdf, click the image or. It is owned by and interestingly is of the less common. The Selo reel is about 1939 maybe 1940 as it contains film of my husband and his older brother....... The time was not yet right. Users were not equipped with filter-drawer enlargers and the print quality was insufficiently consistent. It was withdrawn by the end of the war. Kendall, in the laboratories of Ilford Limited, discovered the of this chemical as an alternative to '. A packet Selo Gas Light contact printing paper, sent to me by Michael Talbert. To see a larger version of this image, click or on the image. Michael believes the packet dates to about 1940. He says: It’s got a code on the back “S31P” meaning Selo, grade 3, 1 glossy , P single weight. Ilford HP3 Roll, 35mm and Cut Film first appeared. Initially 125ASA 250ASA post-1960. Around 1952-53 it became 200ASA post 1960 the 200ASA emulsion was revised to 400ASA but there was no actual speed increase, it was in recognition that with better exposure determination methods at that time, there was no longer need for all film manufacturers to include an exposure safety margin. For early HP3 film packaging, view. Orion Bromide paper, sold in a hermetically sealed metal tube, possibly for war-time use in tropical countries. This example was an e-bay purchase by Leon Bren, in Australia. He found the tin still had its original seal intact. When opened in his darkroom he found the paper was still able to produce very acceptable images after 71 years of uncertain 'storage'. For early HP3 plate packaging, view. Selochrome roll film with a 1942 expiry date. During the war years Ilford were proud of their Lecture Team 'which carried on'. This is a service Ilford maintained throughout the war to foster and maintain enthusiasm. Lancelot Vining worked as a Daily Mirror press photographer before the First World War. Called up in 1916 he joined what was then The Royal Flying Corp. They sent him to Farnborough Photographic School where he was given the rank of Wing Photographic Officer and based at Netherhaven information from John Coathup, PCCGB. Lancelot Vining spent 40 years in Fleet St as Art Editor and Press Photographer. He was also author of the famous book 'My Way with a Miniature', first published in 1941 and reprinted in 1942, '43 and '44. He had a regular column in Amateur Photographer from 1941 entitled 'Miniature Camera Gossip' to do with all things 35mm. He was a 'prickly' character who spoke his mind! Another member of the Ilford lecture team throughout the war and afterwards, was Henry G. Known as Harry to his family and friends. Anthony Tony Russell, his son, provided me with this insight. MCM first appeared around December 1936 and Henry's first contribution 6 pages appeared in the October 1937 edition Vol. The photograph is from the 'banner' at the top of the early editions. He ran his own company, handling advertising for Ilford, Photax and Johnsons. From 1938, until he died in 1960, Henry was responsible for 80% of Ilford's advertising copy. He was a respected Exhibition Judge and wrote articles under his own name for the monthly magazine 'Camera World' during the mid-1950s. To view some Ilford Bromide and Selo Gaslight printing papers for this era, click. The image alongside, sent by Mike Ratcliff, is believed to illustrate the type of box used to supply this product. Click , or on the image, for an enlarged view. See also 1976 chronology 'slot' images of 1956-1977 sent by Bob Chaffee. An Ilford Limited letterhead, dated January 1944 thanks to. It shows its war time heritage by saying ILFORD LONDON ' Contractors to His Majestys Government'. The 'Paddle Steamer' trademark is on the LHS and the SELO trademark is on the RHS. Beneath the Paddle Steamer it says 'Manufacturers of Ilford and Selo Photographic Materials'. John Alexander has emailed with recollections of working in the original Ilford factory site at Roden Street, Ilford, Essex, when he was a teenager. As laboratory assistant I was mainly involved in trying various dyes to find their stability to light and their colour spectrum for better cut off, ie blue that would not transmit any red etc. They had some of the processing tanks etc in some of the buildings but these were standing empty. The site at Borehamwood is now the Boulevard Shopping Centre. Ilford, Ltd, publicly and wholeheartedly for the wonderful way in which they have helped photographic societies to carry on during the last five or six war years, by sending their lecturers and demonstrators all over the country, and at no cost whatever to the societies concerned. The Petersfield Photographic Society acknowledges that it owes this fine firm a great debt, and it is to be hoped that clubs and their members will bear in mind that the products of this company are second to none, when the market becomes flooded with foreign merchandise. The emulsion laboratories were in an old building with the windows permanently blocked out. The explosion blew the windows in so that light could enter, and this interrupted manufacturing. See the end of for more details. Also, see the following paragraph for the more serious consequences of this air attack. Thanks to David Mittelstadt for pointing the following out to me, and to Martin Reed of for its source. It records that in the above V-2 rocket attack, 3 emloyeees were killed and 12 wounded. Imports continued during the war, mainly from Du Pont USA. In 1946, at the suggestion of the Government, Ilford and B. A February 1953 article on B. Plastics ltd can be. By 1955 Ilford had ceased to import film base and relied wholly on Bexford for its requirements of this material. BX also made hard rubber 3 gallon tanks like the Kodak ones but were branded as Ilford and were slightly narrower and would not take Kodak racks. Following her graduation, worked for a short time as a research chemist for BX Plastics in the late 1940s. Couzens, my grandfather, was managing director of BX Plastics at the time that Bexford was established and who I understand had a hands-on role in solving the not insignificant problems of setting up a film casting operation. As an aside, Gordon Couzens was Research Manager at BX Plastics when Maggie Thatcher was engaged as a research chemist in the 1940s. Gordon Couzens wrote a number of books about plastics together with V E Yarsley. The site is now up for. Ilford FP3 Fine Grain Panchromatic Safety Film introduced, initially with a speed of 40ASA Ilford speed group D , but around 1951 it became Weston Meter ASA 64, Ilford Meter 29º and. In 1960 the same emulsion speed was revised to 125ASA. The film box illustrated contains an 8 exposure roll of FP3 on an 828 spool. The 828 'Bantam' format was introduced by Kodak in 1935, giving negatives 28mm x 40mm 30% bigger than 35mm. This particular roll of film passed its expiry date in February 1960. To view a larger image and other FP3 packaging, click on the image or. This image was sent to me by Jim Fisk of the Great Yarmouth Photographic Society and a friend of. It shows a box of six Selo H. Click on the image, , to see an enlarged view. The expiry date of these films was July 1948. The packaging lacks the Paddle Steamer trademark, which as stated in the 1945 'slot' above was 'dropped' in 1945, so it seems this pack was made around 1946, meaning it was one of the last packs of film refills made with the 'Selo H. Shortly after 1946 the name 'Selo' seems to have been dropped by Ilford and the film became just H. In another couple of years it was named simply HP3, i. This presumably refers to H. Ilford speed rating 'E', B. Equivalent to ASA 64 same speed as the FP3 film above. An Ilford Selochrome print of the entrance to the newly opened HMP Falfield, later to become Leyhill Prison in Tortworth Court, between Gloucester and Bristol. It was taken by a then 10 year old whose father was a prison officer. Tony has an extensive web site describing his life and RAF career, including 11 years as the Public Relations Officer. It was widely used in newspaper and magazine adverts of the time and certainly during the latter years of the war. He recalls it was often associated with an attractive girl posing provocatively, a camera to her eye, taking a ‘snap’ of her boy friend or scenic view. The Witness was conceived by Werner Rothschild, who had worked in the German camera industry during the 1930s and, after the war, started the UK photographic company Daroth an abbreviation in part derived from the surname Rothschild and similarly used Daron as a lens name. Robert Sternberg was a working colleague of Rothschild who played the major role in designing the Witness see 1991. Manufacture of the Witness was later taken over by Peto Scott Electrical Instruments. The printers are Lund Humphries who give a number 18677. Some images of Ilford Bromide printing paper from around this time can be seen , courtesy of Simon Spaans. My thanks to Emma Fuell for keeping me informed of information from Peter Amos Miles Aircraft and from Ken Fostekew Reading Museum. The Miles Copycat of which little is now known was an early form of Xerox copier. The device was originally invented by the Miles technicians to copy the huge amount of technical drawings needed when manufacturing aircraft, a great improvement over the old 'blueprints'. They used the same electrostatic principles later patented by Xerox. Pictures of the Ilford branded version can be , courtesy of Emma Fuell. In November 1947, Miles Aircraft ceased trading. There were many reasons for their financial problems, not all of the company's making and questions remain about the behaviour of the Ministry of Aircraft Production, the company's bank and certain of its financial advisors. In fact, when the company was restructured, many non-aircraft activities prospered in other hands, notably the Biro pen, the Copycat photocopier and its range of electric actuators. Manufacturers of Photographic Plates, Papers, Films, Accessories, Apparatus, Chemicals, X-Ray Films, Paper, Intensifying Screens, X-Ray Accessories, Apparatus, Materials and Apparatus for document Copying, Materials for Cathode Ray Recording, Glazing and Drying Machines Olympia, Ground Floor, Stand No. Ilford made an Ilford Reflex Document Paper No. With Ilford Reflex Document Paper No. To read a full account of Ilford's attempts over the following 20 years to move into the field of colour film photography,. Work started on a silver dye-bleach process for making prints directly from colour transparancies, pioneered by Dr Bela Gaspar in the 1930s but mainly used for motion pictures Gaspar based his work on that started by Austrian, Karl Schnitzel, in 1905. The process, which eventually became Cibachrome see 1963 , produced the first successful prints around 1949. This work lead to the launch, in 1953, of a service to provide colour prints from transparencies Take a look at site where there is a page devoted to Alf Pyner, who joined Ilford after his time in the RAF during WW2 and had a long association with Ilford’s experiments to develop colour materials. At that time it was rated at the lower than later Pan F film speed of 23° Scheiner Ilford Exposure Meter C; ASA 16. In November 1956 ref: Camera World magazine Pan F speed was increased to Scheiner 25°, ASA 25 ASA 16 in tungsten light. The Borough of Ilford presented Princess Elizabeth with a specially commissioned ILFORD Advocate Camera, costing £340. The camera was stolen, but later recovered, when it was sent to be repaired. Postage extra 4d 1. The 1949 BJPA p239 carries an announcement of 'Ilford Sellotape'. It is strong and pliable, and thus suitable for many sealing purposes, and other darkroom and studio uses. The top of this container allows the required length of Sellotape to be torn off with either a straight or a saw toothed edge. The price of the dispenser, complete with a roll of Sellotape, is 2s. M for pointing out this entry. Focusses down to 4ft. The Craftsman was assembled in the same factory, Northern Scientific Equipment Ltd; Bark Street, Bolton, as the Witness. The Ilford Photo-Electric exposure meter Model C Calibrated in both the and Scheiner degrees. Ilford's speed group lettering was later extended to cover a range A -H in order to include newer, higher speed, emulsions e. To view a large colour image of an Ilford Meter Model C and read the 1950 BJPA report, click or the image. Colour picture Courtesy of David Muggleton. Dowload copies of 'Between Ourselves', an Ilford magazine for all its workers, wherever and however they were employed. Full of social commentary of the time. The Prentice cost £3. Recommended films were HP3, FP3 and PanF for 35mm cameras 125, 64 and 16ASA respectively and Selochrome orthochromatic roll film 80ASA. By 1955 see below the company had expanded and was relocated to a site 3 or 4 miles from Mount Waverley called Notting Hill. The Notting Hill factory was occupied until 2003. In 1952 Ilford and Geigy set up Gyl Chemicals Ltd to manufacture Hydroquinone. Ilford introduce high speed HPS plates in time for press work during the 1953 Coronation Year. HPS was introduced as the fastest plate in the world. At that time, he told me, the first boxes of plates came with a label advising, because of their very high speed, that the plates had to be used within a certain time, I forget how long, maybe it was around 3 months , or the speed of the plates would gradually diminish. Later on Ilford managed to “hold the speed” at 800 ASA for the “normal keeping” time, as with their HPS film emulsions. I believe this story is true because the early 1960s instruction sheets for Ilford ID 11 and ID 48 developers contained a note re: the developing times of HPS plates, recommending that they should be developed in Microphen. If ID 11 was used, the exposures should be doubled, and with ID 48 the exposures should be trebled. This only applied to HPS plates and not the HPS film emulsions introduced in 1954. ID 48 was the same kind of developer as Kodak Microdol X, not identical but gave extremely fine grain. The same Canterbury photographer thought that HPS plates were HP3 plates which had been hypersensitized, a technique dating back to the 1930s for increasing the speed of any emulsion. About a year later Kodak introduced “Kodak Press Special, P 2000” plates, rated at 500 ASA incl. I am sure they had the same trouble as Ilford in maintaining the speed of these plates as D76 wasn't the recommended developer. Kodak Press Contrast or D 61A gave the full 1000 ASA. By the early 1960s P 2000 had quietly disappeared; Kodak's Royal X Pan film took it’s place from autumn 1958 with an official daylight speed of 650ASA, but Kodak encouraged its use at 1600ASA and even higher with extended development. These three speeds are compatible with the speed of 400ASA, but prior to 1956 the Weston meter calibration was not the same as ASA; it would have been 320 Weston. The box shows 400 Weston which indicates the package dates post-1956, after Weston came into line with ASA now ISO. FRPS, FIIP, joined Ilford Limited. Mr Coote was involved in photography from 1937. He started by working in commercial and industrial fields and then spent some time in the motion-picture and photofinishing industries before joining Ilford Limited to establish a colour processing laboratory. Subsequently he became Head of Technical Services for the Ilford Group and then Technical Advisor to the Head of Marketing. Ilford Photographic Materials General Catalogue. Contents are arranged as a series of booklet sections, in a loose-leaf binder cover, enabling the indivdual sections to be replaced and updated. Apparently produced regularly during the 1950s and into the 1960s for trade distribution e. Thanks to David Muggleton for the loan of this copy. It failed against competition from the newly released Leica M3 and its own mass production problems. In April 1953 the Witness was priced at £121. Photographic Instrument Manufacturers Monorail professional plate camera with a triangular-section rail marketed by Ilford Ltd see picture. This was the operation that Jack Coote had been hired to manage see 1952 'slot', above and was based in Richmond Surrey, UK. Ciba independently chose to use the same process to formulate the eventual industry leading Cibachrome process. Cibachrome enabled professionals and home workers to make excellent colour prints directly from colour transparencies. Based upon a reversal process yielding a positive print direct from a positive transparency, print production quickly rose to more than a million prints per annum. The service was only available to 35mm slide film users. Release of Envoy Box, Series 1? Release of Ilford , with 35mm f3. In this Coronation Year of Princess Elizabeth as Queen Elizabeth II, Mount Everest was finally conquered. The exploration team used Advocate cameras to record their climb, a ready made scoop for Ilford's advertising department. This third version of Multigrade had 3 filters, all yellow. Two paper sufaces were available, glossy and velvet stipple. Pre-packaged developers include Contrast FF, Document paper ID-55 , Formalith, PFP ID-62 and PQ Universal. Book also describes various fixers, hardeners, stop-baths, reducers, intensifiers, toners and packed chemicals. To view the first 25 pages, which cover the Ilford Developers, click or on the image. Booklet owned by David Muggleton. Booklet similar to that shown in the 1955 'slot' below but unlike the later booklet, this one is clearly identifiable as November 1953 by the normal Ilford dating system on the back cover J53. Intended for use by retailers to show the general public the range of Ilford items available. Each booklet would bear the name of the dealer and no doubt dealers would give copies away to regular customers for them to browse at home. Packed with information within its 74 illustrated pages. My thanks to David Muggleton for this copy. Fast panchromatic, 400ASA in daylight, 320ASA in tungsten light. The speed revision of 1960 raised the speed to 800ASA. Multiply these costs by around 20 to get 2008 equivalents, so the 35mm cassette of monochrome HPS would cost £9. Processing details for roll and 35mm versions last appear in the Johnsons Year Book for 1969. After 1969, HPS only appears in the Johnson Year Book as 'narrow gauge cine film'. It continues to appear as cine film up to 1971, when the Year Book was last sold. Kodak's equivalent 'no compromise fast film' Royal X Pan, was available in the UK from 1958 speed up to 1600ASA as 120 roll film. It was still available retail into the early 1970s. In 1970 it was priced around 6s. Thanks to Roger Gittins for directing me to a copy of the. It was found on Martin Reed's previous Silverprint website. Martin now runs a website called. The picture illustrates the type of card slide mount used by Ilford for their Colour D transparency film in 1954. Plain white on the reverse. The picture was taken on the beach at Weston-Super-Mare in the summer of 1954. BJPA publishing arrangements: In Amateur Photographer magazine for 24th March 1954 there is an announcement, within the advertisement by R. Almanac is published in a limited edition and it contains in its 600 pages interesting articles by renowned experts, descriptions of new methods, materials, processes, formulae etc. In both professional and amateur photographic circles it is regarded as the book of the year. Every page, even the coloured advertisements, is covered with useful information that sooner or later needs to be referred to. Publication is expected at the end of this month and in view of the usual heavy demand we shall be glad to reserve your copy now, upon receipt of remittance. Hence, the 1954 B. A held information relevant to 1953. Case, secondhand for £70 at Sheffield Photo Co Ltd Modern Camera Magazine; June 1955. It predates the black and white negative service and duplicate slide service. Ilford Photographic Materials General Catalogue; a substantial 233mm x 157mm hard backed 328 page book, apparently produced regularly during the 1950s and into the 1960s for trade distribution. Doug McKee tells me that his 1956 copy has 336 pages. Around 1955 see AP Jan 1956, article by J. Rufus , HP3 film speed increased to 200ASA post-1960 to 400ASA. This speed increase was fortunate because in 1955 the famous Kodak Tri-X roll film appeared - first on the Continent, later in the UK. It subsequently also became available as 35mm. In 1955, Ilford Australia Pty Ltd was relocated to a site called Notting Hill. This factory was occupied until 2003. The site may have been purchased around 1953 see p81: Silver by the Ton. Notting Hill is a suburb in Melbourne, Victoria, Australia, 19 km south-east of Melbourne's central business district. Alexander Paterson Downie was the Managing Director of Ilford Australia Pty Ltd from early in the formation of the Notting Hill laboratory site perhaps from 1955 until his retirement in 1966 my thanks to Alex Downie's daughter, Mary Hildebrandt, for this information. After Alex Downie retired, it is possible the Managing Director was W. The area where the factory was located, on the corner of Forsters and Ferntree Gully Roads was appropriately opposite a local icon “The Notting Hill Hotel”, run by the wonderful Kath Byer. This meant it was an excellent situation to build a factory of any sort. Monash University is very nearby and “the Nott” has been part of the academia of that university for a long time. They walked across a paddock to get to the bar. Old Charlie Forster owned a lot of land in the area and was a successful orchardist. He and Dad Alex Downie were great friends and some of Charlie’s staff worked at Ilford for many years. He would be amazed if he knew how much that land is worth now, millions!!! David's pictures date back to the time when Ilford first began to operate from there, through to the site's demolition in 2006. Marc now 2014 works as National Sales Manager for at 300 Lorimer Street, Port Melbourne 3207, Victoria, Australia. A 2nd edition version of the Printing and Enlarging booklet shown previously see 1947. This version includes mention of Multigrade paper. Multigrade had been temporarily withdrawn from sale before the time of the 1947 booklet but was marketed again from 1953, in time to appear in this 1955 booklet. As with the 1947 version, there is enclosed within the rear cover fold, a separate sample 'book' of paper surfaces from the Bromide, Plastika, Contact and Multigrade paper ranges. The booklet has been donated to me by Cezar Popescu, who lives in Romania. Thanks to Cezar for sending me the booklet and also for making available a pdf of all its contents; Click the image or. It was perhaps aimed more at the amateur market than the hard back General Catalogue illustrated above. The box alongside date unknown has a price of 14s. FP4 plates had a pre-1960 speed rating of 80ASA at this time, FP3 film was 64ASA. To view a larger version of this plate box, clcick the image or. The Advocate Series 2 since 1953 offered flash synchronisation and a larger aperture lens, f3. Each print includes the whole of the transparency. Prints cannot be made from a selected part. The leaflet also shows the potential of flash synchronisation with the Advocate Series 2. Another leaflet scan from Paul Godfrey is , from October 1956, extolling the low light virtues of HP3 and HPS films. Before the days of electric thermostatically controlled radiator fans, when fans were directly driven by the engine, it was usual to place some sort of insulating muff in front of a car's radiator in winter to try to prevent over-cooling of the engine and improve the interior heater's performance. The price of 36 exposure cassettes was 8s. Around April time, Ilford announced the availability of HPS in the additional roll film sizes of 127 and 620, at the same prices as their equivalent panchromatic roill films. Bookings for Ilford Lectures for the 1956-57 autumn 1956 - spring 1957 season started on 1st February 1956. The Lecture Team consisted of Lancelot Vining, Donald Allen, D. Moran and Karl Pollak. Club Secretaries were asked to apply to Ilford, Limited, 134 St Albans Road, Watford, Herts. In early 1957 Ilford announced an extension to their 1953 'prints from transparencies' service to include making duplicates and prints from any make of colour transparency from 35mm film and smaller. The Basildon factory, which was built by the company, was completed in 1957. It became the factory for processing Ilford's colour films. Other activities eventually by 1964 included the making of colour prints, colour printing from transparencies and the manufacture of chemicals and equipment. HP3 was still available in all sizes incl. At this time ICI took some preliminary steps towards entering the amateur market. However, in 1958 ICI acquired 32% of Ilford's shares and an agreement was concluded which gave Ilford access to ICI's colour film research in the negative-positive field and provided for further research on colour photographic products and processes to be undertaken by ICI on behalf of Ilford. The building covers 30,000square feet on two floors, and houses three sections devoted to physics, chemistry and testing. Even distilled water is on tap! The whole paper manufacturing process was now at Mobberley and there was a large increase in the workforce. It cost £300,000 New Ilford office block completed at Ilford, Essex reported in 'Photography' magazine, March 1958. The location and expansion of the Ilford site in the town of Ilford from the earliest times up to the late 1950s has been impressively researched by. I can't recommend highly enough that anyone interested in researching the actual location of the various Ilford Ltd premises in Ilford shoudl start by reading Nicholas' website, with his findings supported by many references plus photographs taken himself using an Ilford Sportsman camera. The laboratory, named after a former director of research, F. Renwick, opened in 1954. The site is now 2013 a relatively modern apartment block called Golding Court. The company makes all its own film base, i. Before the war this film base had to be imported, either from America or Belgium, and meant expenditure of foreign currencies. Now, in the £2 million factory built in association with BX Plastics see the 1946 chronoloy 'slot' , all of llford's requirements are being met. The 35mm camera was produced, having a film back with a resemblance to the Advocate camera. It was made during the period 1958-65 and provided the range of lens panel movements normally associated with a large plate 'field' camera. Kennedy Instruments Ltd were a wholly owned subsidiary of Ilford Ltd. M, photo' courtesy of D. M The 5th and final edition of '' was published in May 1958 see 1890 entry for first edition. This edition was subsequently reprinted a number of times; in 1959, 1960, 1962, twice in 1963, in 1966, in May 1967 and an 8th reprint of the 5th edition final reprint appeared in March 1968. Additional material in all reprints was included in appendices. In the 8th reprint, its appendices included information on split-image rangefinders, new types of film base, modern film speed systems, monobaths one solution combined developer and fixer , high definition developers etc. The price of the 5th edition 7th reprint, in 1967, 'remained' at the 6th reprint price of £2. Focal Press published a 6th edition in 1971 but without the name 'Ilford' in the title i. Presumably the Rights to the book's content and its publication had been sold to Focal Press possibly in 1969 when Ciba took over sole ownership of Ilford, Ltd? It reached its 9th edition in September 2000; ISBN: 0240515749 Ref: D. Ilford Colour Ilfordcolor is how Modern Camera Magazine referred to it film D Daylight bced was first marketed in 1948 in 20 exposure packings. It became available in 36 exposure cassettes. The price of the new 36 exposure cassette was 30shillings £1. The 36 exposure price meant that individual frames cost only 10d old pence each i. The design was also claimed, in conjunction with the physical characetristics of the film itself, to reduce film 'buckle' through heat and also the tendency for images to 'pop' out of focus during projection. In October 1959, 35mm FP3 film became FP3 Series II. Darkroom loading refills, 36exp. To view various FP3 film labels from around this time, courtesy of Michael Talbert. Ilford have sites at ref: PCCGB Tailboard magazine, Sept '06 Britannia Works - Essex, Basildon filters , Bexford at Manningtree, Essex filmbase , Brentwood Selo Works, Looe - Cornwall processing , Margate boxes , Mobberley - Cheshire paper , Watford gelatine. They are also supplying materials to Johnsons of Hendon. Around April 1959 saw the introduction of the 4th generation of , this time with 3 sets of 5 filters in each set. For conventional tunsten enlargers the first softest grade filters were magenta and the three normal to hard grades were yellow. Further sets were available for contact printing and cold-cathode enlarger lighting, that extended the density of yellow filtration. This version of Multigrade was removed from sale in April 1969. In 1959 the Focal Press Ltd 31, Fitzroy Square, London, W. This is Focal Guide No. Written by George Ashton, it deals with Ilford colour transparency films Types D and F. Type D was introduced in 1948 and Type A in 1949, but the latter I presume was replaced by Type F in 1956. Ilford Colour also became available in the 'Bantam' 828 roll film size in early 1959 ref: PhotoGuide Mag. Oct59; see 1946 slot for further about 828. Ilford Selochrome roll film only orthochromatic replaced by Selochrome Panchromatic; no speed change. It passed its expiry date in June 1962. Post-1960, Selochrome Pan was re-rated at 160ASA no change in the emulsion. Maybe phased out around 1968? Ilford sponsored the 13 week series Thursday 7th July - 29th September at 9. Click the links to hear the mp3 files: , and. Transparencies returned in cardboard mounts. Single duplicates are 3s. The price of black-and-white negatives from 35mm transparencies is 2s. The smaller colour prints cost 2s. This machine was described in a paper presented to the RPS in 1959. The Ilfachrome prints were made on a High Speed Printer that was developed by Walter Kennedy. It was a masked colour material incorporating colour couplers immobilised by long-chain hydrocarbon residues - Agfa type. The film was balanced for daylight and artificial light, similar to the Kodacolor film at that time, and the colour balance of the prints were then corrected on the Ilford printing machines. Later, in 1961, Ilford introduced the film in 35mm 20 exposure cassettes and they designed a special printer to make colour contact strips from the 20 exposure films. The purple end of the spectrum is quite faithfully reproduced, so are the yellows, but the reds and oranges blur together. There is no really bright 'pillar box' red but nevertheless the reds are better than some other unmasked processes. Some people found the results acceptable, calling the colours natural or restrained, others did not and described them as degraded and muddy. This is plainly a matter of personal choice... Your get bced colour - believable colour, with ILFACOLOR colour-negative roll film. This was appropriately named Ilfacolor Paper later renamed Ilfocolor. The envelope features period youth clothes, c1960. Notice the style of slacks the girl is wearing, possibly called 'Pedal Pushers'. Most had a small ' v ' at the hem so you could move easier. Pedal pushers and motor scooter slacks fitted a little looser and usually ended at the calf. The advert also seems to include an Ilford Sportsman camera. Click on the small image or to see an enlarged version. Monophen Phenidone based - see 1940 combined developer and fixer. Neither time nor temperature critical. Used between 65F and 80F 18C~27C development and fixing completed in 6 minutes - film only required washing. A longer time had no effect. First commercially available of this type in the UK Unibath was already available in the US - reviewed by AP on March 9th. Monophen was tested by Neville Maude for AP magazine, 20th April 1960, p609. Read the review as a PDF. Cost for a 500cc polythene bottle was 8s. Monophen is again described in Ilford for June 1960, along with Ilfachrome successor to ILFORD Colour Film 'D' , the camera and the. Over 1,000 visitors turned up in just over 2hours 5:30pm to 7:30pm. The next was scheduled for 5th January 1961 first Thursday in the month. This attracted nearly 3,000 visitors!. February 2nd 1961 was to feature Claudine, a shapely magicienne, with magic tricks and pet dogs. Another set was to be an Oriental theme, featuring Miss Hong Kong, Michele Mok. Type RX Fine Grain Panchromatic Film. A query about this film was raised by David Mittelstadt on the analogue photography forum site APUG. Type RX was thinly coated and pre-hardened for high temperature processing. It could be processed in temperatures up to 105°F. Sue, of Harman Technology, managed to find a full description of Type RX Recording Film, which can be viewed. In fact, the emulsions remained the same and only their advised speed ratings increased. For a full explanation,. Practical Photography magazine organised a 'Brains Trust', held at the Royal Festival Hall, London, on 12th May. To read a 'Practical Photography' magazine article on the amazing definition achievable by combining Ilford Micro-Neg Pan Film with Tetenal Neofin Blue developer,. The Lewis Group of Stores held events at Liverpool on March 2nd, 3rd and 4th, repeated by the Lewis Group in Manchester on April 20th, 21st and 22nd, and in leicester during late May and early June. Ilfocolor note the new spelling - not Ilfacolor became available in 35mm film, 20exposure cassettes. This may have been late in the year which would explain it being called Ilfocolor rather than Ilfacolor. Negatives were supplied with a contact strip of colour prints. The previous Ilfachrome colour reversal 35mm film becomes renamed as Ilfochrome, probably late in 1961. For use with slow and medium speed films. Amateur Photographer magazine tested Hyfin in their issue dated 25th October 1961. Supplied as five foil satchets of powder in a carton, each satchet to make 600cc of working strength developer. The five satchet carton cost 4s 20p. Each powder satchet had to be dissolved in 600cc of warm water and then used at 20C; Pan F and FP3 series II required 18mins with 5sec agitation every minute. His place was taken by Gilbert Wild see left , previously with BP where, from 1959, he was Publicity Consultant to BP Italiana. Previously he was Advertising Manager with the National Benzole Co and also served with three leading London advertising agencies. Born in Manchester, he was a night fighter pilot during WW2 and continued with the Royal Air Force Volunteer Reserve RAFVR after his demobilisation until 1954. His wider fame came through making noted contributions to nuclear science by developing special emulsions used in the detection of ionizing radiation. A 35mm 36exposure cassette cost 6s. Click image to see larger. In 1962 Ilford introduced a range of new colour materials; reversal, print and 8mm cine. Andrew Hewkin, a Broadcast Journalist at PO Box 96, Shropshire SY1 3WW from a which was distributed by Ilford to chemists and other photographic dealers, alerting them to a forthcoming cinema-advertising campaign for Ilford's new range of colour materials see below. The compressed file, 18. If you require it in another format, please email me see my home page. Performers in the film are using original 1961 versions of the camera and are correctly using the appropriate shutter button for Group photographs. The flexi-disc came to Andrew Hewkin in 1978 from his father, who was Branch Manager of in Fleetwood. At the end of the lively musical introduction there is a short commentary from James Mitchell. James Mitchell was Scottish and had worked for Ilford for at least 20years by 1962, having edited the in 1942. By the late 1950s, James Mitchell was Head of Amateur Products Division and worked with , along with Brian Hopley, Bill Risdon and Bill Smith, on the collaboration with the German company Dacora, which led to the well known , sold by Ilford throughout the 1960s. The 1962 Ilford flexi-disc states that James Mitchell was then 'Joint Managing Director' of Ilford Limited. By 1970, possibly as a result of Ilford's decision to end their amateur products range, James Mitchell became Sales Director for. At this time he was a very good friend of who was Technical Director. It was a non-substantive film, as was Kodachrome. To read about Ilford's processing sequence for Ilfochrome,. Its plano-convex lens gave a magnification of 1. The box logo shown here has the Ilford 'sunburst' symbol which appeared in 1965, so this example must date to 1965 or later. It worked off 2xUII 'C' batteries the viewer price included a bulb but excluded the batteries. The provides valuable information about Ilford's move into the field of colour film supply and why Ilfochrome was unusually a non-subtantive colour transparency reversal film, as was Kodachrome. Another leaflet scan from. Click , or on the image, to download the leaflet as a pdf file. There are 8 pages but I opened it out to two pages per scan, so 4 pages. The extra page is an undated flyer that must have been with the leaflet announcing cost cuts on Ilfocolor prints. The range of cameras covers the low cost roll film Sporti, Super Sporti and Sporti 4. The box of the item shown alongside suggests it the box was manufactured in November 1961 K. The address for processing was: Ilford Limited, Colour Processing Unit, Christopher Martin Road, Basildon, Essex. The film carton shown here contained a processed film. To see scans of a few frames, or on the image. The 32 ASA negative roll film is now called Ilfocolor, available in 120, 620 and 127 roll-film and 20 exposure 35mm. Negatives are card mounted and colour 'contact' prints in fact made by projection printing - see letter from Ilford's R. Matthews in Colour Photography magazine, May 1963 were supplied with the processed film at no extra charge, to assist with print selection. To read about Ilford's processing of Ilfocolor, click. To read general information about Ilford's colour films during the period 1948-1968, click. The mansion was eventually taken over by another company but Les couldn't recall who? During the time Les Lester was at Bower House a new coating plant was built at Brentwood, Essex. Sharon Ellis has sent me a photograph of some of the in the 1960s. Don Cornish has let me know that this photograph was taken at the retirement of Shift Manager Bill Bassam. Ilford reminded photographers that the earlier 10ASA Ilfachrome would only be accepted for processing until December 31st 1963. By that date the last batch made would be 1year over the date of expiry on the carton. Ilfochrome prints from 35mm transparencies no longer available due to 'heavy demand' for Ilfocolor prints. Prints from Ilfocolor half-frame negatives now Sept. CIBA AG , Switzerland, approach Ilford with a buy-out offer. A Lumière Cilcolor 36 exposure 35mm film, 80ASA, expiry date March 1979, colour negative film, is shown alongside. It’s a C-41 process film, so likely to have been around since 1976; it is listed in the 1977 B. Its also in the 1983 B. Annual but its not in the 1985 Annual. The film is actually a Japanese made Sakuracolor II film. The package is reminiscent of Ilford i. When Ilford put Ilfocolor 100 film on the market, about 1982-3, it was the same Sakuracolor II film. There was no take-over by Ciba until 1969 but there began commercial co-operation between Ciba and Ilford to develop Ciba's dye-bleach print material for making prints directly from colour transparencies. Originally called Cilchrome 'Cil' derived from the names Ciba, Ilford and Lumière the eventual product name was Cibachrome, for a full history, Other group products had 'CIL' at the beginning of the name e. CIBA built a new plant at Marly, just outside Fribourg home of Tellko to coat Cibachrome and later ILFOCHROME, being the name given to Cibachrome post-1989 after Ciba sold Ilford to International Paper, see below , and the old Tellko factory in the centre of Fribourg was used as the finishing department. Another gem of information from. Click , or on the image left to download the article as a pdf file. What a shame there are no pictures of the automatic printers. One little scrap in the article is the mention of the British Xylonite BX factory at Manningtree which, despite the magazine being about Essex, is actually in Brantham, which is just across the River Stour in Suffolk. You mention the connection with this factory see 1946, above. My late mother-in-law worked for BX at Brantham in the laboratories when she first left school, before , but had left long before Mrs Thatcher ever worked there. It is dated G63, hence July 1963. Formolith materials were designed for use in Graphic Arts, and provided the highest possible contrast images. By 1963, Formolith materials were finding an ever increasing application in the manufacture of printed circuits. Presumably meant for the less experienced amateur, it omits mention of Pan F at 50ASA. It is dated L63, hence December 1963. To view the Guide as a pdf file, click or on the image. Made available by Paul Godfrey. Ilford Exposure Guide for Ilfocolor 32 print, and Ilfochrome 32 slide, films. It is dated L63, hence December 1963 same as above. It contains simple information on using flash indoors and outdoors for camera owners and more complex information on daylight and flash exposures for owners of cameras like the. To view the Guide as a pdf file, click or on the image. Made available by Paul Godfrey. Paul noticed that, strangely, Ilford advised the use of clear flash bulbs when using Ilfocolor print film indoors, presumably feeling they could correct the resulting warm cast at the printing stage. Why they decided to make printing more difficult, rather than advising the use of the correct colour temperature blue bulbs as, indeed, they do for Ilfochrome and also Ilfocolor when using flash outdoors is intriguing. Click , to read some anecdotes and view some images supplied by Peter Pearse. Peter joined Ilford Ltd in 1963, working in the Basildon colour unit before moving into distribution, then export and finally working in the London office under Jeff Vickers Jeff became Ilford General Manager in 1975. Peter took early retirement in 1986. The Ilfoprint system was introduced in late 1963 at the Business Efficiency Exhibition BEE at Olympia and, a few weeks later, at the Industrial Photographic and Television Exhibition at Earls Court. Original information relating to Ilfoprint came to me from Norman Lee, who worked for Ilford 1959-1967 at Mobberley and Ilford. More recently July 2012 has sent in-depth information. Ilfoprint copy paper consisted of a very slow emulsion coated on a 90 gsm? It could be handled in subdued tungsten light if you were quick. The Ilfoprinter 950C was a light box attached to a processor. A reflex paper negative was produced which could be contact printed any number of times onto the same paper. For multiple copies it was therefore cheaper than the silver diffusion transfer papers which were very popular at the time. Gevacopy and Agfa Copyrapid shared this market. I don't think Ilfacopy was ever seriously marketed. Ilfoprint for copying enjoyed little success in what was then a very competitive market. The paper had the developing agent hydroquinone in the emulsion. The processor contained an activator - a solution of sodium hydroxide - and a stabiliser. The stabiliser was ammonium thiocyanate which converted the undeveloped silver halide to a light-stable silver complex. Prints lasted for weeks or months but the stabiliser remaining in the unfixed, unwashed print tended to bleach the image. They could be made permanent with a 20min soak in fixer and a 30min wash. Ilfoprint was largely superseded in the darkroom by Ilfospeed which offered fast-enough processing and far superior image quality. This machine was extensively used by newspapers and agencies such as Associated Press. Butlins Photographic Services Ltd. It has subsidiaries in Australia, Denmark, France, India and the USA and a world-wide distribution organisation. The company has a board of ten directors, two of whom are ICI nominees. Administration and sales are directed from the company's offices at Ilford, Essex and the company has factories at Ilford, Brentwood, Basildon and Mobberley. The supply and processing of colour films accounts for about 4% of Ilford's total trading turnover. Other activities include the manufacture of emulsions used by nuclear physicists, document copying equipment, black and white films of all types, X-ray films, photographic papers, chemicals, magnetic materials and the supply of cameras and other equipment. Ilford has some 22,000 authorised dealers, including branches of multiples, and some 2,000 dealers' agents. There was also a chapter on flower photography by Kenneth Gaseltine, FIBP, FRPS. Ilford advertised this book and the full page in Amateur Photographer 9th Sept 1964 p102 and held a 4 week exhibition of the prints at their Oxford Street gallery. See 1965 entry below for further information on this series of books. S; more usually known as David Cole, became the Royal Photographic Society R. S President, having joined in 1930 and since served on the R. S Council and various Committees. David Cole joined the Ilford Research Laboratory in 1928 and subsequently worked under Dr. Olaf Bloch, himself a Past-President of the R. By 1964 David Cole was responsible for all of Ilford's photographic advertising work, exhibitions and displays. Also, a new style packaging was adopted using a dead-white glazed cardboard for all cartons and boxes. HP4 in 35mm film size became available during 1966. The HP4 35mm film illustrated was donated by Luis Loubet. Authored by Sandy Brownstone of Ilford's Technical Publications Department ref: Aug 18th AP magazine. In May 1965 Ilford introduced a new negative 35mm 20 exposure film, 'Colorprint', rated at 64 ASA, at a price inclusive of processing. At the same time it discontinued production of Ilfocolor. The service whereby 35mm users received a projection printed not truly 'contact'; see letter from Ilford's R. Matthews in Colour Photography magazine, May 1963 contact print strip and card mounted negatives with their processed film, continued, as it had previously with Ilfocolor 35mm. Colorprint must have subsequently probably quite soon afterwards also have become available in roll film sizes, see 1968 entry re:Super Colorprint. Its possible the contact prints were made on a machine produced by Ilford's subsidiary, Kennedy Instruments manufacturers of the camera. It seems Walter Kennedy had been developing a machine for the high speed printing of Ilford Colour transparencies since the late 1950s. Specially made for Ilford Ltd, it was considered too complex to manufacture and distribute to independent photofinishers. Another Ilford subsidiary company, Kennington and Bourlet, had started to market colour processing and printing equipment from 1964 to independent finishers. Also in May, substantive reversal 35mm film introduced, called 35mm Colorslide rated at 32ASA and 35mm Super Colorslide rated at 64ASA. Slides returned in a plastic pocket 'quick-look viewer'. Super Colorslide and Colorprint were also introduced in ' Rapid' cassettes. Copiously illustrated with colour photographs, all taken on Ilfocolor film and. As late as Feb 1966, AP carried news that Ilford were still exhibiting prints from this series of books at and demonstrating flower photography techniques. Processing of the Colorprint film was via a voucher system, available from photographic stores. The film was intended to be returned to Ilford in its original carton, with the pre-payment voucher stuck to the carton, and the whole put into a supplied bag - which had to be separately stamped weight 35gm. A year previous, Ilford had started supplying their film in the Agfa Rapid cassette system, for the and similar cameras. Agfa had re-released this cassette system to counter Kodak's 126 Instamatic cartridge system and Ilford initially supported Agfa in this 'format war'. But, by Spring 1966, Ilford decided to 'back both horses'. Certainly not a famous firm situated somewhere to the east of Forest Gate, London meaning Ilford. To mix metaphors like a rotary whisk, they have extracted their digits from the egg basket and plunged them firmly into a goodly number of pies. Take, for a start, Rapid. A limited launch of Rapid cameras last year was so encouraging prophets of gloom about this system notwithstanding that this year they will be selling Rapid cameras and films on a national scale. Good for Rapid, say I. It's a natty system. And if you are fortunate enough to have a Rapid camera already, you will be able to load it with a new super colour film, from the same firm, that I am picking for stardom in 1966. If you live in the London area, that is probably the only form in which you will be able to get it; outside London, this new colour film will be available in standard 35mm cassettes as well. Tough darts for London livers - they don't always get the goodies first. Rapid has a rival, dare I say it, in Instamatic. So what does this famous firm do? They produce a film in Instamatic cartridges of course, then sit back and wait to see how well it all goes. Normal speed rating 400ASA, DIn 27 or 650ASA in Ilford's Microphen developer. Also available as cassette refills. In the book 'Silver by the Ton' see above, before the start of this chronology the 1966 Monopolies Commission Report is blamed for having done more harm to the Ilford Company's finances than two World Wars! Pan F all cost 7s. From June to August, Ilford were promoting in a sexist strip-tease type advert their Hyfin developer ultra-fine grain, high acutance and increased film speed by offering a free 300cc trial pack sufficient to develop one film with every purchase of the 'new' 20 exposure cassette of Pan F 50ASA but increased by Hyfin to 80ASA. Recommended retail price 5s. The 20 exposure length 40 exposures with half-frame was recommended as a 'convenient length for the weekend'. Ilford Ilfobrom Paper introduced. Ilfobrom Glossy became available from February 6th and other surfaces from April 17th Ref: Photography magazine, April 1967. Six contrast grades numbed IB 0 to IB 5. Grades 0 to 4 all with the same speed, while Grade 5 has half that speed. Codes for the new paper are IB followed by the grade number and P for single-weight and K for double-weight. Thus IB 1 P means Ilfobrom single-weight glossy, grade 1. The paper was double weight, with a velevt stipple finish. The Tri-Pack was offered for only a limited period at the special price of 15s. To view the booklet as a pdf file, click or on the image alongside. Available by courtesy of David Muggleton. My thanks also to Howard Powne who sent me a copy in April 2014 from Australia. His is dated rather ealier, at July 1964. Film prices were volatile in 1967. FP3 35mm prices unchanged? Prices were increased by just less than 10%. Ilford were not alone in needing to adjust film prices. These were: Following the recommendations of the Monopolies Commission, Ilford colour films to be made available at prices exclusive of processing charges. The range of colour films to be extended to include 120 and 127 roll film size Super Colorprint, alongside the 35mm and 126 films that became available during early 1967. The unique 'Pocket Print' return presentation, which proved popular when trialled with 126 Super Colorprint film during 1967, to be offered in an improved form with all sizes of Ilford colour negative film from May. The processing of all Ilford's colour films, negative and reversal transparency slide to be carried out at the Basildon laboratories, Essex. A new range of 126 catridge cameras to be launched, including a complete outfit at less than £5. In May 1968, Ilford FP4 introduced, replacing FP3 roll and 35mm film. FP4 was claimed to give greater acutance with finer grain than FP3 but retaining the same speed of 125ASA 200ASA when developed in Microphen and the same price. Wide exposure latitude of 6 stops over and 2 stops under, still producing printable results. It was obtainable by writing to Mike Williams, Customer Services, Ilford Ltd, Ilford, Essex. It is dated March 1968. My thanks to Howard Powne who sent me a copy in April 2014 from Australia. To view it as a pdf file, click the image or To download this Ilford Technical Guide to FP4, click on the image or. The item read: llford Ltd have just announced that their range of Super Colorprint films has now been extended to include 120 and 127 rollfilms, in addition to the 35mm and 126 cartridge formats currently available. At the same time the prices of all their colour films have been drastically reduced, which is good news in these days of ever-increasing prices. All sizes of Super Colorprint will be offered at the recommended price of 5s 25p , and the cost of enprints is reduced to 1s. In order to encourage people to try the new llford colour system, a special introductory Twin-Pack offer of two films for the price of one is being made, which means that you will be able to buy, for example, two 20-exposure Colorslide films in a Twin-Pack for only 8s 9d 44p! Ilford Super Colorprint and Ilford Colorslide offered in twin packs of 126, 120, 127 and 20exp 35mm. Even with processing, Ilford calculated that your 40 slides would cost less than 7d 3p each. I understand from Tristan Brittain-Dissont, Archivist for the , that comedian Tony Hancock made an advert at this time for Ilford Colour Film. Currently 2017 no complete version is available, but any one who can help to unearth a copy is asked to be in touch. All colour processing now carried out at the company's modern laboratories at Basildon, Essex. Click to view a short movie mpg clip of workers at Basildon sorting and posting Colorslide slides. Notice the plastic viewing wallets the slides are inserted into before being posted see 1965, above. The movie clip is courtesy of John Smailes. Photography magazine, in their July 1968 edition, announced: New Cartridge Cameras. To coincide with their new colour film plans, llford Ltd. A pouch type case is available at 15s 3d 76p. The other new camera is the llfomatic Universal Flash, which is especially suitable for the beginner who just wants to point and shoot. The recommended price is 72s 7d £3. The Universal Flash camera is also available in outfit form which, in addition to the camera, includes a wrist strap,one llford Super Colorprint cartridge film, three flash cubes and two batteries. This outfit costs £4. More can be read about the Ilfomatic camera range by or on the camera image. The Ilford Holiday Cine Pack was another summer time offer, being 4 Ilford 8mm daylight bced Colorcine films for the price of 3. The four 50ft films were returned spliced together on a 'free' 200ft reel in a dustproof plastic case. To ensure the individual films were spliced in the right order, customers had to return the exposed reels in the original box, with the 1st film in the place numbered 1, the 2nd in the place numbered 2 etc. The illustrated film box has a 'use by' date of March 1969. From end of June, Ilford began sending a copy of a 16 page magazine called 'Colornews' to all colour film users with their processed films.